fun with a coffee can, a contact mic, and a bass amp

Junkyard percussion meets lo-fi electronics:

contactcan1

I couldn’t get my glue gun to the bottom, so I went with painter’s tape because it was next to my workbench. The 1/4″ jack was salvaged from a dead preamp, the wire from an old PC power LED- so this “instrument” cost me about $1.00 to build (the cost of the piezo disc).

contactcan2

The following recording was made by dropping various bits of junk into the can, shaking it around, and moving it in front of the amp’s speaker to produce feedback:

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It occurs to me that one could easily put a passive tone control like this one from the Beavis Audio Research site between the piezo disc and the jack.

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modifying and bending the TR-66, part 1

The TR-66 is an old Roland rhythm machine, containing only preset rhythms, and having no sound editing capability. However, it contains the same or similar circuits as a more well-known Roland machine, the CR-78. This is the first in a series of posts which will document my modifications of this old beatbox. The first bend I’m documenting in these posts is something I found awhile ago, but haven’t made permanent yet. I’ve decided to go the breakout box route, to avoid having to drill multiple holes in the case. It’s sort of a strange design, where the outer wooden casing is a box open in the front and back. Four screws come out of the bottom, and then the innards (which are built on a metal frame with the front & back panels attached) slide out.

I should note that conventional wisdom says it’s a bad idea to circuit bend 120 VAC devices such as this, and that I make no guarantee that attempting to do this with your TR-66 won’t cause damage.

opening1

Taking a look inside, you will see trim pots for setting many sound parameters- and handily, most are even labeled. There are a total of 8 trim pots on this board- the ones labeled “103″ are 10k pots, the ones labeled “501″ are 500 ohm. I’m thinking of trying 1k pots for those, since 500 ohm seems to be harder to find.

You may also notice that it seems the outputs for each drum sound are labeled on the board- this should make it easily possible to include level adjustments for each sound, as well as other mods such as individual outputs if one were so inclined.

the white things are the pots

The first order of business will be making a hole to thread the wires for the breakout box through. I’ve decided to make the hole in the rear panel- partly because that seems “right”, but mostly because the case design makes that the easiest way to go. As the picture shows, there’s plenty of open space back there.

holeback

I would like to note that it was a lot harder to drill through the relatively thin plate than I thought it would be. I used a fairly small drill to make a pilot hole, then followed up with a step drill to get it to the size I wanted. I went with a pretty big hole, since there are several pots I plan to replace, as well as a couple of other mods.

The first bend/mod is what I call the “distortion mod” - connecting a pot between the two points shown in the picture below gives you a sort of distortion effect that increases as you turn the knob. I used a 10k pot, because that’s what I had on hand.

the solder points for the distortion bend

the solder points for the distortion bend

That’s it for the first installment (because I’m out of unspoken-for parts). More to come, though it could be awhile as this is pretty low on my priority list.

if I were the sort to listen to this kind of crap, I probably wouldn't have a job right now

if I were the sort to listen to this kind of crap, I probably wouldn't have a job right now

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everything you need to become a synth geek

I added a page of educational links here, all related to electronic music, digital audio, and synthesis- a reference library, if you will. I will be adding to it over time.

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nice haul this weekend (Phoenix project part 1)

This weekend I made a couple of nice trades for some of the parts from my dearly departed ESQ-1. 4 of the CEM3379s & 2 of the SSM2300s got me a nice brushed-aluminum modular synth-type enclosure (eurorack style, and open frame, the kind that’s made to go into a regular 19″ rack), and I found someone else looking to trade SID chips & other enclosures for the LCD display & control boards. I’ll be keeping the rest of the chips and the case for my own twisted purposes.

Also, my mom’s boyfriend gave me a 12 volt DC power supply, the standalone type made for running a CB or whatever, which will work out nicely to power the stuff in the new rack (I believe it will require modification to make it work for my needs, but it gets me much closer).

The coolest part of all this is that it (mostly) takes care of all the stuff that’s no fun to shop for or build because it doesn’t make noise when you’re done or do anything else cool.

As for the SID chip(s), there are a number of ideas for DIY projects out there which make use of them, and I haven’t made any plans yet. I can tell you it most likely won’t be anything aimed at using it as a standard MIDI-controllable synth, since I pretty much have that side of things covered.  That will be a “back burner” project for now anyway, since I already have enough projects to keep me more than busy for awhile. It was kind of an unplanned trade, I was posting about the CEM/SSM chips, and this guy asked if I’d be willing to part with the LCD. This also pretty much solidifies my idea of replacing the entire ESQ rather than just fixing my dead one, which I had pretty much decided anyway when I pulled the socket-mounted chips.

So, it’s a little cheesy, but I’m gonna call my DIY eurorack modular Phoenix, because it’s shorter than writing “my DIY eurorack modular”, and because it was essentially born from the remnants of my dead ESQ-1. How poetic.

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Doomsday Device build #2 (with audio)

I’m putting this one on ebay:

doomsday1

The sound-making portion is the same as the Coffee Can of Doom, but this one is housed in a VHS tape case instead of a coffee can.  Here’s a recording of me randomly messing with the contact points:

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more sounds from Mimsy Modular

Here’s a couple more recordings from Mimsy Modular, showing some sounds made using the CV input on the APC module. These two recordings also show some of the interesting randomness & instability which is made possible by the voltage starve effect.

Up first, the APC being modulated with the output from osc 2 of the other module:

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And now, the APC being modulated with the output from the Coffee Can of Doom:

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Mimsy Modular completed

Well, it’s done, and the last bit of experimentation yielded some unexpected results. During my initial tests with using the other side of the second 556, I accidentally found a way to use it as a pseudo-noise generator of sorts. I noticed similar behavior on the APC side at certain settings, but thought it had something to do with the interaction between the oscillator and monostable- apparently it’s possible without the monostable as well.

There are various strange interactions between these new controls and the existing ones- for instance, the new switch not only acts as a pitch drop for the new osc, but also enables the touch points on the first one.  There also seems to be a sort of cross-modulation effect going on (see the audio example further down). All in all, things seem rather unstable with the second module now (certain things seem to make the second half stop working until the power’s cycled, various other strange things happen), which leads me to believe I’ve done something wrong- but it also makes things interesting, so I’m going with it.

Another “happy accident” that happened was that I came accross a nice touch point to make use of the spike- in fact, I found two, so I added a second spike.  I also added some other decorations. Yep, ugly as hell, just like the sounds it makes. :)

mimsymod3

Back panel- there are now two outputs for the second module, as well as the output and CV in for the APC:

mimsymod4

And now the audio (random touching & twiddling)- first “osc 1″ of the second 556 module (note the sort of AM-type ringing):

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and then “osc 2″:

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APC box v2.5 (aka Mimsy Modular)- with audio

This update includes some cosmetic changes, as well as a voltage starve mod (the knob on the top) and a CV input to the oscillator which drives the APC (the silver knob on the “faceplate” controls its level). I’ve decided to name this synth the Mimsy Modular, in honor of the inventor of the Stepped Tone Generator the APC is based on (Forrest M. Mims III), and in reference to my favorite poem (Lewis Carroll’s “Jabberwocky”).

mimsymod1sm

mimsymod2

The black stripe is electrical tape, the spike is just something I had in a junk drawer- though it currently serves only as a decoration, it may be used as a touch point in the future. The batteries are now held in place with metal clips which are hot-glued to the box. The metal strip with the voltage starve knob is also held in place with hot glue, and also holds the on/off switch for the APC in place.

Here’s a shot taken during the latest update showing the output of the right-hand module being fed into the APC’s CV input:

mimsycvin

And here’s a recording of some knob twiddling with the second module plugged into the CV input, no effects:

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My next plan is to wire up the unused side of the second 556 in a similar fashion as the first, but pitched lower. I will also be trying to find a way to make interesting use of the CV inputs.

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APC box v2

I ended up using another 556 for the second “module”, right now it’s just wired up as a simple tone generator with a single frequency knob, an on/off switch, and a high/low range switch. I also added the capacitor bank to the APC side, with a momentary switch (button) for each of the two caps.

apcboxv15sm

Nice thing about this box enclosure- easy to open up for modifications:

apcboxopen1

Hole shot:

apchole1

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APC box v1

Build of the Atari Punk Console circuit using the Kaustic Machines schematic, housed in a nifty-shaped cardboard box.

apcbox1b

apcbox2

As you can see, plenty of room left on the perfboard for experimenting with mods. I’ll definitely be adding a capacitor bank as seen on the Get Lofi APC boards, and a voltage-starve pot. I’m also planning to put a 566-based oscillator on the other side with a seperate output to use as either a second sound source or a CV for other gear.

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